Psalm 105

Why should the brass get to play all of the fanfares? This a thrilling and unique concert opener for wind ensemble, minus brass, allows your band to stand out while the brass get to take a well-deserved

Set primarily in a march-like style with a more lyrical song-like interlude, this work (originally for brass quintet) has been adapted for flexible 5-part wind band with optional percussion. It opens with

Based on the gorgeous 17th century chorale, Lo How a Rose E'er Blooming, Always Blooming is contrastingly fast and energetic and features every section of the band, especially the percusisonists!

This gorgeous setting of the ever-popular anthem is creative and majestic. While preserving the beauty of the hymn, the fresh and somewhat contemporary accompaniment never strays too far from the simple and

Andromeda is a space fantasy about a fictional light to the Andromeda galaxy, the largest galaxy next to our own Milky Way. This programmatic work features Gillingham's signature chromaticism and

Originally scored for tuba/euphonium quartet, this work has been adapted for four-part flexible winds with optional percussion and is playable by any combination of instruments in the ensemble. It is based

Originally written for organ, this thoughtful and expressive work adapts perfectly for four-part flex band. Whether performing with four players or a full wind ensemble, the long, cantabile melodic lines

Inspired by the shimmering night sky in northern latitudes, this picturesque number paints a glorious astral nightscape. Listeners are taken on a journey that starts with quiet sounds as a single star

From the opening thin layers of sound, a broad, sweeping feel emerges, sprinkled with active lines depicting nature awakening. Developing bands will learn much from performing this work and will most